Addressing the Dynamic
Category: Working with Artists
ArtWorks: Developing practice in participatory settings, is a Paul Hamlyn Foundation special initiative that had its genesis in a period of extensive research that began in 2008. ArtWorks invited proposals for grants of up to £3,500 to support developmental projects exploring new ways of working, cross-sector collaboration and practical ways in which the conversation might be changed. Trinity Laban received one of the seven grants awarded.
Trinity Laban (Learning and Participation teams) designed Addressing the Dynamic as an enquiry-based research project focused on the role and skills of arts project managers (PMs). Personnel from Trinity Laban perceived that the role of project managers in building effective relationships with participatory artists is often overlooked but can be imperative to the success of arts participatory work.
- To better understand the barriers and challenges that currently exist between artists and project managers in terms of management and relationship dynamic.
To highlight what artists and project managers expect from one another and what approaches, frameworks and models can help establish and support positive working relationships between these two groups.
To develop a greater understanding of how to facilitate and manage better professional relationships amongst the research project participants.
To develop a greater understanding of the misconceptions, assumptions and culture that currently exists around the relationship management between artists and project managers working in arts in participatory settings (AIPS) amongst the research project participants.
To contribute to the debate in the sector around the needs of project managers who are facilitating AIPS with particular focus on their management of relationships with artists
The Addressing the Dynamic Report was written by Hannah Wilmot who also facilitated the sessions for Project Managers and Artists.
The full report includes:
- Factors for a successful relationship highlighted by Project
- Challenges and barriers to effective relationships
- The perfect artist – view from Project Managers and view
- The perfect project manager – view from Project Managers and view from Artists
Conclusions and recommendations (synopsis)
Wilmot states, ‘the need for project managers to clearly
and succinctly articulate the core values of their organisation and of the
project are central to minimising’ misunderstanding and assumptions that
can lead to the breakdown of relationships and endanger the success of the
project for all parties, including participants.
‘The relationship between project managers and artists
can be imperative to the success of arts participatory work.’
Wilmot goes on to
stress the importance project managers put on ‘establishing clear
roles and responsibilities, as well as the need to develop frameworks to
support effective communication, facilitate reciprocal feedback and help frame
conversations around quality, impact and representation’. Furthermore, the project identified that ‘how to give and receive
feedback was a particular concern for project managers.’
Wilmot comments, ‘although this research project explored
challenges and highlighted areas for improvement, it also identified many
examples of good practice and accord:’
thought: as you grow with experience you realise that managers make things
happen and they are your greatest strength.’ (Artist)